One person. Too many useful jobs. On purpose.
Richie Griffin DigiCo is the unfairly practical version of a production crew: camera operator, editor, motion graphics artist, voiceover artist, sound engineer, live-event problem solver, and fast-turnaround content producer when the deadline starts breathing down your neck.
Local shoots are easiest in Las Vegas and Southern Nevada. Remote voiceover, editing, motion, audio, and post work can happen anywhere. Travel shoots are on the table by flight or with Reels on Wheels when the project earns the suitcase or trailer hitch.
Commercials, social content, sports, events, interviews, brand pieces, and “we need this to look like we had a plan” shoots.
Fast, clean edits for ads, reels, recaps, launches, hype pieces, and campaigns that need versions without turning into version hell.
Lower-thirds, title cards, animated packages, polish passes, explainers, social graphics, and the little details that make work feel expensive.
Broadcast, web, radio, pump, commercial, hosted, and character of the brand. You’ve probably imitated my voice. Hire me before it gets weird.
Dialogue cleanup, mix polish, music balance, loudness sanity, podcast/event audio rescue, and making “we recorded this where?” less obvious.
Live shows, sports, events, same-day cutdowns, time-of-delivery content, sponsor clips, recap reels, and on-site workflows that move fast without looking rushed.
FAA Part 107 aerials, location reveals, sports energy, brand movement, and shots that leave the tripod where it belongs.
Mobile edit bay, broadcast booth, Starlink, power, climate control, and the ability to bring the studio to the parking lot, field, venue, or desert.