FAA Part 107. Aerial that stops looking like everybody else's tripod.
FAA Part 107 certified. FPV freestyle through warehouses, hotel atriums, and racecourses. Cinematic aerial reveals on commercials, real-estate, and event coverage. Two different toolsets, one brand, one quote.

Aerial reveals + FPV pursuit work, FAA Part 107 licensed.
Drone work is for brands that need the establishing shot, the orbit reveal, the tracking move, the impossible angle that grounds an entire commercial. FPV work is for the shots that turn heads on social — single-take fly-throughs, racing-grade pursuits, transitions that make a typical Steadicam look slow.
Reels on Wheels often comes along on aerial shoots. Power, climate, comms, edit-bay-on-site for same-day playback so the team can review aerial coverage before they leave location. That alone has saved more than one campaign from a re-shoot.
Las Vegas-based and licensed for the airspace constraints around the Strip, Allegiant Stadium, Harry Reid, and Henderson Executive. Travel-friendly when the shoot earns the airfare.
Yes — commercial drone work runs under FAA Part 107 with airspace authorization handled per location.
Drone = cinematic aerials, hero reveals, sweeping landscape. FPV = dynamic close-pass, dive-through, indoor/tight-space, sports action.
Most of the valley with FAA authorization. Strip / McCarran / Nellis areas require LAANC clearance, handled in pre-production.
Yes — FPV with prop guards handles indoor, warehouse, and tight spaces traditional drones can't.
Both — raw flat-color footage for client editors, or fully edited (color, motion, music-cleared) when drone is bundled into a full project.
Broadcast 1080p/UHD, OTT streaming, social vertical 9:16, slow-motion up to 4K-120. Color-managed across every output.
Both — bundled by default into commercial / sports / brand projects. Standalone aerial work from $10K with a written brief.